Elsewhere nyc1/21/2024 Sharif, a pioneering conceptual artist in Dubai, works by accumulating surplus materials and found objects, but in contrast to the archaeological pursuits of other artists, his catalogues of manufactured goods reflect on globalized production and consumption. Joreige undertakes an archaeology of Lebanon’s recent history in an ongoing work that presents a series of objects and individual testimonies that recall aspects of Lebanon’s various conflicts. Sarkissian’s photos of public squares in Syrian cities depict sites similar to the one where, as a child, he witnessed a criminal execution one day in the early morning. For artists like Fouad Elkoury, whose photographs document everyday life in Beirut during and after its fifteen-year Civil War, images are able to relate the nuanced stories of uncertain times.Īrtists such as Hrair Sarkissian, Lamia Joreige, and Hassan Sharif undertake experimental approaches to archival material, rewriting personal and collective traumas, and weaving fragments both real and imagined into their work. Through different methodologies, an unconventional form of lyrical documentary and personal reportage emerges in works in which the artist is vested with the responsibility of revising dominant historical narratives. A poignant example of personal reportage can be found in the short videos produced and distributed by Abounaddara, a collective of self-taught filmmakers dispersed throughout Syria, as well as in Bouchra Khalili’s video portraits, which reveal the clandestine journeys of migrants seeking to enter Europe. Taking inspiration from Godard, Gorin, and Miéville’s film-which has had a strong impact on an entire generation of artists in various Arab countries-“Here and Elsewhere” pays particular attention to the position and role of the artist in the face of historical events. Their film, Ici et ailleurs, was initially conceived as a pro-Palestinian documentary, but evolved into a complex reflection on the ethics of representation and the status of images as instruments of political consciousness. The exhibition borrows its title from a 1976 film-essay by French directors Jean-Luc Godard, Jean-Pierre Gorin, and Anne-Marie Miéville. See complete list of artists in addendum. “Here and Elsewhere” is on view from July 16–September 28, 2014. Through the original and individualized practices of a multigenerational constellation of artists, the exhibition highlights works that often have conceptual or aesthetic references to the Arab world, yet also extend well beyond. “‘Here and Elsewhere’ brings new works and new voices to our audiences, presenting many artists who are showing in New York for the first time.” Combining pivotal and under-recognized figures with younger and midcareer artists, “Here and Elsewhere” works against the notion of the Arab world as a homogenous or cohesive entity. “This exhibition continues the New Museum’s commitment to looking at art from beyond the confines familiar to the New York art world,” said Massimiliano Gioni, Associate Director and Director of Exhibitions. In keeping with the New Museum’s dedication to showcasing the most engaging new art from around the globe, “Here and Elsewhere” is the most recent in a series of exhibitions that have introduced urgent questions and new aesthetics to US audiences. The exhibition brings together more than forty-five artists from over fifteen countries, many of whom live and work internationally.
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